{"id":15843,"date":"2022-06-13T20:29:00","date_gmt":"2022-06-13T23:29:00","guid":{"rendered":"https:\/\/www.revistalate.net\/?p=15843"},"modified":"2022-07-05T20:28:10","modified_gmt":"2022-07-05T23:28:10","slug":"portraits-from-havana","status":"publish","type":"post","link":"https:\/\/www.revistalate.net\/en\/portraits-from-havana\/","title":{"rendered":"PORTRAITS FROM HAVANA"},"content":{"rendered":"\n<p><b><i>Sitting at the doorstep, waiting.<\/i><\/b><\/p>\n<p><b><i>There is plenty of time to look, to talk, to smoke, even to smile at a prying camera. People in Havana like photos. A woman once asked me to take a photo of her. She said it was the only way she\u2019d ever be able to travel, an easy way out.<\/i><\/b><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"size-large wp-image-14059\" src=\"https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-2-1300x866.jpg\" alt=\"Pobreza en Cuba, silla de madera, precariedad econ\u00f3mica. Foto: Dahian Cifuentes.\" width=\"1170\" height=\"779\" srcset=\"https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-2-1300x866.jpg 1300w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-2-300x200.jpg 300w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-2-768x512.jpg 768w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-2-1536x1024.jpg 1536w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-2-600x400.jpg 600w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-2.jpg 2000w\" sizes=\"(max-width: 1170px) 100vw, 1170px\" \/><\/p>\n<p><b><i>In Havana, the front of every building becomes the perfect frame to examine any given situation. <\/i><\/b><\/p>\n<p><img decoding=\"async\" class=\"size-large wp-image-14087\" src=\"https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-9-1300x867.jpg\" alt=\"Madre cubana, Cuba. Foto: Dahian Cifuentes.\" width=\"1170\" height=\"780\" srcset=\"https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-9-1300x867.jpg 1300w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-9-300x200.jpg 300w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-9-768x512.jpg 768w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-9-1536x1024.jpg 1536w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-9-2048x1365.jpg 2048w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-9-600x400.jpg 600w\" sizes=\"(max-width: 1170px) 100vw, 1170px\" \/><\/p>\n<p><b><i>The landscape is a path itself, and every shadow is a universe. <\/i><\/b><b><i>The texture of its walls and its sidewalks, those vivid bright colors, the dancers of those age-old soulful constructions, the endless variety of skin tones, their cautious yet cheerful faces, a sweet or hesitant look in their eyes, and that distinct smell of coffee, rum, pizza, and humanity.<\/i><\/b><\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-large wp-image-14055\" src=\"https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-1-1300x866.jpg\" alt=\"\" width=\"1170\" height=\"779\" srcset=\"https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-1-1300x866.jpg 1300w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-1-300x200.jpg 300w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-1-768x512.jpg 768w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-1-1536x1024.jpg 1536w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-1-600x400.jpg 600w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-1.jpg 2000w\" sizes=\"(max-width: 1170px) 100vw, 1170px\" \/><\/p>\n<p><b><i>These portraits are images of time not passing by. Of melancholy. Of serendipity. <\/i><\/b><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-14063\" src=\"https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-3-1300x866.jpg\" alt=\"\" width=\"1170\" height=\"779\" srcset=\"https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-3-1300x866.jpg 1300w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-3-300x200.jpg 300w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-3-768x512.jpg 768w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-3-1536x1024.jpg 1536w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-3-600x400.jpg 600w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-3.jpg 2000w\" sizes=\"(max-width: 1170px) 100vw, 1170px\" \/><\/p>\n<p><b><i>Those objects that seem to have been abandoned are actually as alive as their owners: three hanging bags that are getting dry, awaiting another opportunity to go to the market; a half-empty water jug; tobacco and cigars consumed by the soft humidity of lips; brief hangovers that account for authentic stories; even the scorching sun in the sky.<\/i><\/b><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14067\" src=\"https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-4-1300x866.jpg\" alt=\"Cubanos cargan agua en un edificio, pobreza en Cuba. Foto: Dahian Cifuentes.\" width=\"1170\" height=\"779\" srcset=\"https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-4-1300x866.jpg 1300w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-4-300x200.jpg 300w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-4-768x512.jpg 768w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-4-1536x1024.jpg 1536w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-4-600x400.jpg 600w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-4.jpg 2000w\" sizes=\"(max-width: 1170px) 100vw, 1170px\" \/><\/p>\n<p><b><i>I like their staring eyes but also that lost gaze in them; I love that extended consciousness of nothing going unnoticed in the city. <\/i><\/b><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14075\" src=\"https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-6-1300x866.jpg\" alt=\"Cubanos sentados junto a un auto antiguo en La Habana. Foto: Dahian Cifuentes.\" width=\"1170\" height=\"779\" srcset=\"https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-6-1300x866.jpg 1300w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-6-300x200.jpg 300w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-6-768x512.jpg 768w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-6-1536x1024.jpg 1536w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-6-600x400.jpg 600w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-6.jpg 2000w\" sizes=\"(max-width: 1170px) 100vw, 1170px\" \/><\/p>\n<p><b><i>I adore what you can see from inside their houses, that intimacy that becomes palpable in the image of a Yoruba saint, in a wheelchair, in a lonely basket of fruit, or in an egg carton.<\/i><\/b><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14091\" src=\"https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-10-1300x867.jpg\" alt=\"Edificio en Cuba, custodio. Foto: Dahian Cifuentes.\" width=\"1170\" height=\"780\" srcset=\"https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-10-1300x867.jpg 1300w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-10-300x200.jpg 300w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-10-768x512.jpg 768w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-10-1536x1024.jpg 1536w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-10-2048x1365.jpg 2048w, https:\/\/www.revistalate.net\/wp-content\/uploads\/2021\/07\/Cuba-Dahian-Cifuentes-10-600x400.jpg 600w\" sizes=\"(max-width: 1170px) 100vw, 1170px\" \/><\/p>\n<p><b><i> I am fascinated by those staircases you never know where they lead to. In sum, Havana is a large house that, in every corner, treasures secrets that not even itself knows it must guard.<\/i><\/b><\/p>\n<p><b><i>Dahian Cifuentes<\/i><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I am fascinated by those staircases you never know where they lead to. In sum, Havana is a large house that, in every corner, treasures secrets that not even itself knows it must guard.<\/p>\n","protected":false},"author":81,"featured_media":15951,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_acf_changed":false,"pmpro_default_level":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[644,638],"tags":[],"class_list":["post-15843","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-cuba","category-stories","post_format-post-format-gallery","pmpro-has-access"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>PORTRAITS FROM HAVANA - Revista Late<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistalate.net\/en\/portraits-from-havana\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PORTRAITS FROM HAVANA - Revista Late\" \/>\n<meta property=\"og:description\" content=\"I am fascinated by those staircases you never know where they lead to. 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